cabaret balkan造句

• The film : " Cabaret Balkan " ( R; violence, language, drug use, nudity ).
• "Cabaret Balkan " and " Bedrooms and Hallways . " ( Staff, Atlanta Journal-Constitution ).
• "Cabaret Balkan " has won scads of film festival awards, and if that encourages Serbian filmmakers to critically analyze their dysfunctional society, terrific.
• But " Cabaret Balkan " also serves it well, hinting at the dark humor and macabre theatricality of the Serbian dance of death that Paskaljevic portrays.
• As it happens, this was his objective when he began shooting " Cabaret Balkan, " his 11th feature film, in Belgrade in the early spring of 1998.
• CABARET BALKAN . The leering master of ceremonies in a Belgrade nightclub before the NATO bombing last year introduces a series of not-so-nice vignettes aimed at venting a few hatreds and frustrations.
• Those of us lucky enough to live in more cordial environments should be grateful that " Cabaret Balkan " is as bad a taste of that world as we'll likely be exposed to.
• There is much, much more of a similarly brutal nature in " Cabaret Balkan, " which has broken box-office records in both Sarajevo and Belgrade and won several international film festival awards.
• Admirably made but too grim to wholeheartedly recommend, " Cabaret Balkan " is another in a long line of films from the wreckage of Yugoslavia that try to artfully interpret the political agony over there.
• The sinister mood is set by the slurred opening words of the master of ceremonies at Cabaret Balkan, who addresses the camera as if speaking for Serbia to the world : " Why do you laugh at me?
• Four more films followed before he worked again in English in 1995 in " Someone Else's America, " starring Tom Conti and Miki Manojlovic ( who is also in " Cabaret Balkan " ).
• Even so, " Cabaret Balkan " presents a devastating vision of a war-torn country in which the basic laws of civilized behavior have eroded in a climate of all-consuming suspicion, hatred and vengeance.
• She also made " Three Summer Days " ( 1997 ), for which she received another Yugoslav Best Actress Award, and " Cabaret Balkan, " which won a Special Venice Film Festival Award in 1999.
• Set in 1995 and completed well before the NATO bombing of Serbia, " Cabaret Balkan " is a loosely connected series of nightmarish, stylized vignettes, all set in Belgrade on a bleak winter night when the temperature is 12 degrees.
• When a character in Goran Paskaljevic's film " Cabaret Balkan " declares Belgrade to be " a hemorrhoid " on the anatomy of the world, it is one of the nicer descriptions of a city that this almost unbearably vicious movie depicts as hell on earth.
• "I try to show that the victim and the executioner nearly become the same, " said Paskaljevic, whose last movie, the 1996 English-language " Someone Else's America, " was every bit as sentimental as " Cabaret Balkan " is menacing.
• Chekhov ( played in this production by Jeremiah Kissel ) was long an avowed bachelor, but in his letters he tells Knipper ( played by the Belgrade-trained Mirjana Jokovic, who appeared in the films " Underground " and " Cabaret Balkan " ) that he wants her near him.
• Paskaljevic, who is still little known in the United States _ though that finally began to change with " Cabaret Balkan " in 1999 _ said the subject was not much of a stretch for him : " In the movies, hate always has a concrete reason, " he said, while in life, it's as capricious and human as love.
• Harvey stated that although the " stories'conceits have promise ", " there's a certain flatness of execution that reduces everything to the same watchable but dispiritingly minor plane . " He also opined that the film expresses a futility that " might well have become a powerful statement in itself " but that it is, ultimately, " is blunted by a sense of artistic inertia . " Commenting on the separated narrative structure, similar to " Cabaret Balkan ", he stated that " Rather than parting on a note of irony or resolution, most of these tales simply deadend when situations have achieved their equilibrium of hopelessness and defeat . " He reservedly commended the acting, appreciating Ristovski's work for " nimbly vanishing into five separate roles " and commenting on the other performances as being " solid if seldom inspired ".